Your face is your business card. And makeup reflects your attitude to fashion and self-image. When makeup matches a woman's inner self and mood, it makes her more attractive: she looks good and feels great.

In modern makeup, every detail of the face must be drawn. Makeup is only considered competent when it is “full”.

Even if you want no makeup to be visible on your face (the so-called “clean face” makeup), you still need a thin layer of foundation, your eyes should be decorated with eye shadow, mascara and a contour pencil, and be sure to have at least a little lipstick lipstick and blush.

The color saturation depends on the function of the makeup. For example, with natural makeup, cosmetics should be muted, calm tones, hazy, half-tone, and almost invisible to the eye.

According to classical canons, competent makeup is makeup with an emphasis on one detail of the face. As a rule, either the eyes or the lips are highlighted. It is believed that if the lips are brightly painted, then there is no need to emphasize the eyes, and, conversely, with brightly highlighted eyes, the lips should be more or less neutral.

In real life, it is extremely rare to find faces that correspond to strict proportions. The variety of forms can be roughly reduced to seven main types:

1) oval;
2) round;
3) square;
4) triangular;
5) trapezoidal;
6) rectangular;
7) diamond-shaped.

Often in one person there are elements of two or even several basic forms. In this case, the face is attributed to the form whose characteristic features predominate.

Round face- horizontal and vertical dimensions of the face are approaching each other. The areas of the temples, lower jaw and chin have rounded, soft outlines.

Square face- has developed angles of the lower jaw, rectangular outlines of the upper and lower parts of the face.

Triangular face- wide in the forehead and cheekbones and narrowed towards the chin.

Trapezoidal face- characterized by pronounced angles of the lower jaw. The upper part of the face is much narrower than the lower.

Rectangular face- characterized by a sharp predominance of vertical dimensions over horizontal ones. This type of face is characterized by a high forehead and an elongated chin.

Diamond face- has wide cheekbones, narrowed in the upper and lower parts of the face.

By using makeup correctly, we can always optically eliminate or, on the contrary, add something to our face. This is achieved with the help of light or, respectively, dark decorative cosmetics (foundation, powder, eye shadow, natural concealers), which are applied to certain areas of the face. In this case, there is a certain rule: what should retreat is, as it were, taken into depth with the help of dark colors, and what should be brought forward is lightened.

Round face.

The purpose of the correction is to lengthen the face and visually reduce the volume of the cheeks. For this:

Darken the sides of the face (from the temples down to the lower jaw) using foundation or powder slightly darker than the natural complexion;
- apply blush on the cheekbones in the shape of a triangle, extended to the corners of the mouth, the color is neutral, dark.

Square face.

The purpose of the correction is to soften the sharp contours of the lower jaw and forehead. For this:

Darken the protruding corners of the lower jaw and “round” the hairline;
- apply blush on the cheekbones in the shape of a triangle, elongated towards the temples, the color is neutral, maybe bright, lively.

Triangular face.

The purpose of the correction is to visually balance the wide upper part of the face with the narrow lower part. For this:

Darken the temples and side surface of the cheekbones;
- if a sharp chin stands out, powder it with darker powder;
- highlight the subzygomatic depressions and lateral surfaces of the lower jaw, apply blush to the front surface of the cheeks in the shape of a diamond, the color is light and delicate.

Trapezoidal face.

The purpose of the correction is to reduce the volume of the wide lower part of the face and try to expand the upper part. For this:

Darken the lateral surface of the lower jaw;
- highlight the temporal zone;
- apply blush in the shape of a rectangle, elongated and shaded towards the temples.

Rectangular face.

The purpose of the correction is to visually expand and shorten the oval of the face. For this:

Darken the forehead along the hairline;
- darken the lower jaw;
- highlight the side surface of the face;
- apply blush in the shape of an oval and blend horizontally, the color is light and delicate.

Diamond-shaped face.

The purpose of the correction is to visually soften the angular contours of the face. For this:

Darken the convex parts of the cheekbones;
- highlight the subzygomatic depressions and temporal areas;
- apply blush in the shape of a triangle on the front of the cheekbones, color - neutral, dark.

The triangular shape of the face should be visually narrowed in the upper part (forehead) and widened, rounded by a narrow sharp chin.

Makeup for a triangular face shape

Powder. You can visually balance the upper and lower parts of the face using dark-colored powder, which should be applied to the temples and cheekbones. The darker the color, the smaller the parts of the face it is applied to will appear. To smooth out a sharp chin, apply dark powder from the bottom to the middle of the chin.

Blush. Apply them under your cheekbones in a diamond shape. The main line should deviate slightly downwards in relation to the eyes (about 25 degrees). Do not apply blush at a strong angle - this will lengthen your face even more.

Brows. Make the beginning and end of the eyebrows smaller, leaving the middle wide.

Shadows. Apply and blend the shadows onto the upper eyelid in a semicircle. It is not recommended to apply shadow to the brow line, as this will make the eyes appear larger and draw attention to the wide upper part of the face. When making an eye contour, try not to draw out the arrow too much - this will also enlarge the eyes and draw attention to them.

Lips. You need to visually lengthen the lip line. Using a lip liner, darken the corners of your lips, making them brighter than the middle.

Hairstyle for triangular face shape

Choose hairstyles that widen towards the lower part of the face, hairstyles with long straight or oblique bangs. A high side parting or a hairstyle without a parting will do. Style your hair with the ends curled outward. Haircuts with “feathers” and those that will widen at the cheekbone line and narrow at the top are suitable. Increasing the volume of hair at the back of the head can balance out both a narrow chin and wide cheekbones.

Avoid short bangs, short masculine haircuts, side swept hair, hairstyles with clear lines, hairstyles that reveal the face (ponytail, etc.). Short, voluminous haircuts are also not recommended, as they will only weigh down the upper part of the head and make it too bulky.

Accessories for a triangular face shape

Glasses. Thin rectangular frames.

Earrings. Don't wear triangle-shaped earrings. Stud earrings, small rings and ovals are suitable.

Makeup for a triangular face is created taking into account some external features. The triangular face type is an unusual combination, in which there are wide, prominent cheekbones and a narrow chin. Many people call this face shape heart-shaped. The transition from the temple line to the chin is very sharp, so the oval requires proper adjustment to balance the upper and lower parts of the face.

The triangular face shape is one of the most common shapes among the fair sex. She is characterized by a wide forehead, fairly high cheekbones and a narrow, “angled” chin. Makeup for a triangular face is designed to correct the imbalance of the upper and lower parts: darkening and highlighting special areas of the face, as well as the correct placement of accents will help emphasize the advantages of this type of face.

Features of makeup for a triangular face

The first thing that catches your eye when looking at a triangle-shaped face is a narrow, pointed chin and wide cheekbones. In this regard, basic makeup techniques should be aimed at eliminating this asymmetry. The triangle is suitable for not very long and slightly raised eyebrows with a uniform bend. Proper contouring of such a face allows you to balance the upper part of the face with the lower part. If you have a triangular face, try these makeup tricks: apply dark powder or foundation to the surface of your cheekbones, temples and pointed chin area. On the contrary, highlight the subzygomatic depressions and lateral surfaces of the lower jaw. Finish sculpting your face by applying blush. Place the pigment on the front of your cheeks in a diamond shape. Eye makeup also has its own subtleties. Only the moving eyelid should be highlighted with pencil and shadows. In this case, it is advisable to do the shading in the form of a semicircle.

The main purpose of makeup for a triangular face shape is to correct the disproportion between its upper and lower parts. To correct it, you need to darken those areas of the face that you want to make visually narrower, and highlight those areas that need additional volume:

• Apply a foundation that perfectly matches your natural skin tone all over your face. If necessary, use a makeup primer and disguise imperfections with a corrector of the same shade.
• Using a darker foundation, powder or concealer, darken the sides of the forehead and cheekbones to make them visually narrower, and the tip of the chin to smooth out its excessive sharpness. If you have a high forehead, apply a dark shade along your hairline.
• Take a shade half a tone lighter than the main one and highlight the sides of the chin (see photo with diagram below) to add the missing volume to these areas.
• Apply blush to the apples of your cheeks and blend towards your temples.
• Carefully blend the boundaries of the highlighting and darkening zones to avoid sharp and unnatural color transitions.
• Fix the correction result with a thin layer of transparent loose powder.

Eye makeup plays an important role in correcting a triangular face shape. You should not strongly emphasize the outer corners of the eyes and pull them towards the temples with the help of wide arrows or dark shadows - this technique will visually expand the already fairly wide upper part of the face. It is better to focus on the central part of the eyelids, highlighting the moving eyelid with pearlescent shadows.

Bright lipstick will help to correct the lower part of the face - the emphasis on the lips will distract attention from the excessive sharpness of the chin. A professional makeup artist can help you make your lips look fuller: apply a drop of highlighter into the dimple above your upper lip.

Here are just a few simple makeup techniques that can be used to correct a triangular-type face. Don’t be afraid to experiment, and remember, there are no ugly or “wrong” faces - your beauty is unique, you just need to be able to highlight it correctly.

Makeup for a triangular face shape

Powder

You can visually balance the upper and lower parts of the face using dark-colored powder, which should be applied to the temples and cheekbones. The darker the color, the smaller the parts of the face it is applied to will appear. To smooth out a sharp chin, apply dark powder from the bottom to the middle of the chin.

Blush

Apply them under your cheekbones in a diamond shape. The main line should deviate slightly downwards in relation to the eyes (about 25 degrees). Do not apply blush at a strong angle - this will lengthen your face even more.

Brows

Make the beginning and end of the eyebrows smaller, leaving the middle wide.

Shadows

Apply and blend the shadows onto the upper eyelid in a semicircle. It is not recommended to apply shadow to the brow line, as this will make the eyes appear larger and draw attention to the wide upper part of the face. When making an eye contour, try not to draw out the arrow too much - this will also enlarge the eyes and draw attention to them.

Lips

You need to visually lengthen the lip line. Using a lip liner, darken the corners of your lips, making them brighter than the middle.

It's rare to find a woman completely satisfied with her appearance. And since the face attracts more glances, the desire to improve this part of the head arises more often. But before resorting to plastic surgery, you need to try correction with makeup.

Types of facial ovals

The shape or oval of the face is considered to be the ratio of the width of the forehead area to the chin area and the proportion between the length and width of the face. There are six main types of face shapes:

• oval;
• rectangular;
• round;
• square;
• triangular;
• diamond-shaped

To find out your face shape, you will need to roughly divide the front of your head into three zones, upper, middle and lower. The ideal is considered to be a proportional oval shape. In all other cases, one of the zones will be more pronounced.

What is facial oval correction? Basic Techniques

Correcting a face means eliminating imperfections by making changes to the size of conditional zones. Several techniques are used to correct disproportionality:

• makeup using chiaroscuro technique;
• correctly chosen haircut or hairstyle;
• matching glasses or jewelry.

Now we will focus on well-executed makeup. To do this, you will need foundations of three main shades, preferably from the same manufacturer, with similar consistencies and textures. The main thing will be a tone that is in perfect harmony with the natural color of the skin, and to help it, a darker and lighter shade.

When choosing, you must remember that all foundations have a base close to pink or yellow. You need to choose products from one palette.

It is important to remember that dark shades make you look smaller, while light shades create an accent, emphasizing. In professional language, products that reduce various parts of the face are called shading, and products for highlighting certain areas are called highlighters.

Corrective makeup, like any other, begins with the application of moisturizers. After absorption, a foundation of a natural shade is applied, and a darker tone is used to visually eliminate imperfections. The boundaries between different colors must be carefully shaded to make facial features look more natural and attractive. If contouring is done incorrectly, it will appear that the face was drawn out using a ruler.

Professional makeup involves the use of blush to give the face freshness and radiance. For a natural look, blush of the same tone with a natural blush is suitable. They are applied to the protruding parts of the cheekbones, emphasizing the dignity of the skin.

Required Tools

The ideal assistants in creating makeup are brushes and sponges. A properly selected brush should have dense, thick bristles and a pointed end. Using the tip, take a small amount of cream of a darker shade and apply it to the skin.

Sponges come in a variety of shapes and materials. Natural absorbs less cream and when dry is similar to pumice, while foam rubber, which has small pores, is no less convenient to use. To apply foundation, you need a soft and slightly moisturized foundation. Application is done by patting.

Oval face correction

This type rarely needs any form changes. Sometimes only the oval visually seems a little more elongated. Then you will need to apply a small amount of darkening product to the upper forehead and chin area.

Round face correction

With a round face, the task of competent correction is to visually lengthen and stretch out the contours. You will need to work on shading on the cheekbones, temples and sides of the oval. Highlighter is applied on the chin, under the eyes and in the center of the forehead, and blush is applied along the cheekbones.

Correction of a rectangular face

The contours of a rectangular face need to be smoothed, for which a dark palette is used in the sharp corners of the forehead and chin. The bridge of the nose, the central part of the forehead and the area under the eyes are highlighted. Blush is applied to the apples of the cheeks and cheekbones.

Square face correction

With this type of face, it is necessary to visually narrow the oval, rounding the cheekbones. Shading is applied to the entire side contour of the face, and the same parts are highlighted as for the rectangular one. The blush is applied in the form of a triangle to the cheekbones and carefully shaded.

Triangular face correction

A distinctive feature of such a face is a narrow chin and wide forehead. To give it the right shape, you need to darken the corners of the forehead and cheekbones from the top of the ears to the center of the cheeks. The light tone is applied to the center of the forehead, the area under the eyes and the contours of the jaw. Blush applied to the apples of the cheeks adds radiance.

Diamond face correction

On such a face, it is necessary to correct the contours of the prominent cheekbones by applying a foundation of a darker shade to them. The highlighter is applied to the central part and corners of the forehead, chin and jaw contours, and the area under the eyes.

A few secrets of perfect correction

1. First of all, highlighting shades are applied, and then shading.
2. Highlighter and shading should not be applied in close proximity to each other.
3. Transitions between shades must be done smoothly and carefully.
4. Foundations must be applied in small, barely noticeable portions.
5. For problem skin, mother-of-pearl should be used carefully so as not to make imperfections more obvious.
6. It is not recommended to apply mother of pearl to the areas under the eyes.
7. The ideal effect is achieved only through professionally performed shading.

The final stage of facial oval correction

Facial makeup is set with powder. It must be used wisely and moderately. It must be applied with a special brush to avoid the appearance of an undesirable mask effect. The first, thinnest layer of powder is applied immediately after applying foundation and corrective products, firmly sealing into the base. The final barely noticeable layer serves to fix the result.

The first thing a person pays attention to is the volume and shape of all surrounding objects. The form, which is based on a combination of symmetry and the “golden ratio”, creates a feeling of harmony and beauty in a person.
For professional makeup artists, the term “ideal face” is not just some abstract concept, but a completely objective definition of actually existing proportions. What should that ideal face be like? First of all, if you mentally divide an ideal face into three parts: from the edge of the hair to the eyebrows, from the eyebrows to the tip of the nose, from the tip of the nose to the edge of the chin, these parts will be equal. The distance between the eyes on an “ideal” face is equal to the length of one eye, the beginning of the eyebrow is a vertical line mentally drawn through the inner corner of the eye, and its bend is a line mentally drawn from the wing of the nose through the pupil. The length of the lips of a “model” face is equal to the distance between the pupils of a person looking directly, and the width of the face is equal to two-thirds of its height.
However, such “ideal faces”, with a chiseled nose, moderately pronounced cheekbones, high brow ridges, etc., are extremely rare. However, well-executed modeling can smooth out any imperfect lines and proportions.

The conditionally ideal face is divided into three equal parts: upper, middle, lower. This division is carried out by four imaginary lines: - the first - tangent to the edge of the forehead, - the second - drawn through the bridge of the nose, along the line of the eyebrows, - the third - through the base of the nose, - the fourth - tangent to the end of the chin.

The level of the pupils of the eyes divides the entire head into parts of equal height (upper and lower). The width of the nose in the area of ​​its wings is equal to the distance between the inner corners of the eyes, in turn this distance is equal to the length of the palpebral fissure. A proper eyebrow should begin at the intersection point with a straight line drawn through the base of the nose and the inner corner of the eye, and end at the intersection point of a straight line drawn through the base of the nose with the outer corner of the eye.

The standard of the correct face shape is considered to be one that is distinguished by smooth contours of the forehead, cheekbones, lower jaw and chin and seems to fit into an oval. Thus, an oval face with correct proportional details is considered conventionally ideal.

	A square face is characterized by relief, sharp angles of the lower cheekbones and equal width of the upper and lower parts of the face. A rectangular wide forehead, widely spaced cheekbones and protruding zygomatic arches are the main features that indicate a square face. In this case, correction requires softening the angular shapes and reducing the angles of the lower jaw. After applying foundation and dusting the face with powder of a general tone, dark powder is applied to the protruding corners of the lower jaw, blending it along the lower edge. Blush is applied in the shape of a triangle to the middle parts of the cheekbones, with the apex directed towards the temples. The eyebrows are slightly shortened, giving them an upward shape with a bend. Shadows for this face shape are applied only within the eyelids. When shaping the lips, the corners of the mouth are not emphasized, trying to make the mouth more miniature.
	A round face has smooth lines, a weakly defined chin and a wide forehead. In this case, the horizontal dimensions of the face seem to tend to approach the vertical ones. The main goal of correction in this case is to stretch the face and reduce the volume of the cheeks. To do this, dark powder is applied to the side surface of the cheekbones, the side surface of the cheeks and the corners of the lower jaw. Blush here is applied in the shape of a triangle: its apex is directed towards the corners of the mouth, which, as in the case of a square face, are not emphasized.
	Those with a trapezoidal face have a lower part of the face that is much wider than the upper part, a low and narrow forehead, the zygomatic arches are laterally compressed in relation to the sharply turned angles of the lower jaw, which gives the lower part of the face a massive appearance. Here, a correction is needed that visually reduces the volume of the cheeks, so dark powder is applied to their side surfaces and the corners of the lower jaw, not forgetting to carefully shade the boundaries of application. Light blush is applied in a triangle shape high on the cheekbones and blended towards the temples. If you have a narrow upper part and a wide lower part of the face, it is recommended to lightly pluck the heads of the eyebrows, thereby spreading the bridge of the nose. The shadows are shaded horizontally beyond the eyelids, and the corners of the mouth when shaping the lips are again not emphasized, because in order to divert attention from the lower, wide part of the face, the emphasis must be transferred to the eyes.
	The triangular face has a wide, high forehead, clearly defined zygomatic arches, smoothed angles of the lower jaw and a pointed chin. The main goal of the correction is to visually widen the face and balance the wide forehead area and the narrow lower part of the face. The dark tone in this version is applied to the lateral surface of the cheekbones and temples, the light tone to the jaw area. The blush is applied along the ascending part of the oval or on the front surface of the cheeks, in the shape of a diamond, to visually expand the lower part of the face. The eyebrows should be shaped into a smooth arc and slightly “lengthened” towards the temples.
	A rectangular face differs from all other face shapes by the sharp predominance of vertical dimensions over horizontal ones: it is characterized by an elongated chin and a high forehead. For proper correction here, it is necessary to visually darken the forehead along the hairline and the lower jaw, and also use a lighter tone powder to lighten the cheek area. Blush should be applied in an oval shape and blended horizontally.
	A diamond-shaped face is defined by prominent wide cheekbones and narrowed upper and lower parts of the face. This face shape is characterized by a narrow forehead, prominent cheekbones, compressed angles of the lower jaw, and prominent temporal and subzygomatic cavities. The main goal of the correction is to reduce the volume of the middle part of the face, for which dark powder is applied to the side surface of the cheekbones. Blush is applied to the cheekbones and shaded along the cheekbones, without going to the temples. The eyebrows should be made elongated, slightly upward, with a bend. Shadows on the eyelids are shaded towards the temples or horizontally, extending beyond the eyelids. When shaping your lips in this case, it is worth maintaining a clear shape.

The goal of any facial correction is to bring it closer to the ideal - an oval. With a prominent face, you need to soften the features; with a non-relief face, on the contrary, you need to add rigidity. If minimal correction is needed, for example only in the area of ​​the cheekbones, forehead and temples, I recommend using dry correctors, in particular Rose Chandal. They allow you to make a soft, almost imperceptible correction that can be performed daily. If a client needs his face to be thoroughly corrected, then I use bold concealers, such as Rose Chandal or VOV Cover Foundation. These products are used to correct round, square, trapezoidal and triangular faces. They perfectly correct the nose. The master can use both oily and dry correctors at the same time, then it is easy to achieve the desired result for any type of face .

Facial contour correction schemes.

HIGHLIGHT - Highlight
COUNTOUR - Dim
BRONZER - Apply bronzer

Face shapes. Correction and sculpting.

Yellow color - highlighter (light foundation), brown - bronzer, dry corrector (dark foundation), pink - blush.

The following forehead shapes are distinguished: a) high; b) low; c) wide; d) narrow.

The forehead in profile can be: a) convex; b) beveled; c) straight.

A wide and high forehead can be visually narrowed if the temples and hairline are darkened with darker powder or foundation. A narrow and low forehead, on the contrary, should be highlighted. Correction of facial details. Chin. The following chin shapes are found: a) oval (classic); b) spicy; c) beveled; d) square; e) speaker; f) forked, etc. Disproportional, actively protruding parts should be darkened. A small or sloping chin, on the contrary, should be highlighted.
Nose correction. The nose is perhaps the main feature of our face. Most women are dissatisfied with its shape, length, hump, etc. Among the main nose shapes there are: short and wide, narrow and long nose, hump nose, snub nose, large rounded and asymmetrical nose. its back should be expanded with a “lightener”, and the side walls and nostrils should be darkened to the desired length. Ordinary natural-colored powder can also help “shorten” your nose. Applied to the nose, it already visually reduces its size, since it masks the natural shine.
In order to fix snub nose shape, you need to shade its lower area with dark powder or blush, slightly darken the bridge of the nose and the most convex place (tip of the nose), and, on the contrary, lighten the back along the entire concave surface.
Hump ​​on the nose removed by darkening it and carefully shading it. To visually “straighten” the bridge of the nose, first of all it must be limited on both sides by two parallel lines, using a darker tone. At the top, the lines need to be brought to the bridge of the nose, smoothly moving them into the line of the eyebrows. In addition, the back of the nose itself will need to be lightened.
When correcting large round nose it is necessary to darken the side walls towards the center of the back, and the wings of the nose - into partial shade. An asymmetrical nose can be “balanced” by applying light and dark correctors to the sides, aligning them with respect to the center.
To the owners "eagle nose" First of all, it is necessary to darken its most protruding parts. In this case, special attention is paid to eyebrow correction. They are “formed” in the form of a smooth line, slightly shifted towards the temples.
Often, girls' dissatisfaction with their nose is completely unjustified. It happens that disharmony does not arise because of the shape or size of the nose, but because of the disproportion of the face. Here's a simple example: a girl has a short upper lip, a small mouth and chin, and in this case the nose looks long, although in fact its size is absolutely normal. In such a situation, the makeup artist must first of all pay attention to the truly “problematic” parts of the face and correct them.

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